| Trump Talks Back. (2022) 3:00 A deconstruction of His vocabulary, diction speech, and gesture Memories of Public Exuberance (2022) – 13min. video installation A suite of 3D works that examine public social behavior during the time of Covid. The Oculus Opens (2021) – 8:00min. digital video A visual tone poem in six-dimensions to be seen with an IPhone in a set of Google Cardboard Glasses. Memories of Shared Air (2021) – 2:20min. digital video A reflection on the nature of public space in the time of Covid. A Sign of the Times (2021) – 1:48min. video A veiled metaphor for the instabilities of our times. Foit Yet Cleem Triavith (2020) – 2min. video A manic multi-dimensional tone poem to be seen with an IPhone and a pair of Google Cardboard Glasses Goggle Glasses: How to Use (2019) Towards a Six-Dimensional Cinema (2018) – 60min. video installation Experiments in multi-dimensional cinema using a variety of stereoscopic rigs. The Indeserian Tablets (2014) – 28 min. digital video An encounter with the transfaluminal ideoglyphs left by a forgotten people. Solaristics (2013) – 9:40min. video The phenomenology of the black sun; an anthology of sightings; an ecoparable Interview. (2012) An interview with Peter Rose by Nikita Patterson as part of the Senior Artists Initative. Studies in Transfalumination (2008) – 5:30min. video An exploration of the visual complexities of the ordinary world. Conflation: Livlng Above the Store (2008) – 32min. sound/video installation A collaborative video installation by Mark Campbell, Peter Rose, and Anthony Angelicola that offers a complex, richly metaphoric reflection on the meanings of the urban/suburban environment. Odysseus in Ithaca (2006) – 5min. video Commissioned by the Philadelphia Museum of Art. Embodying Thoreau (2005) – 6min. video Produced for the Fairmount Park Art AssociationFlat Rock (2004) – 30min. video Commissioned by Moov Lab for high-definition broadcast. Pneumenon (2003, 5min two-channel video installation) Commissioned and exhibited by the Fabric Workshop and Museum. The Geosophist’s Tears (2002) – 8min. video Philadelphia Museum of Art, Centre Pompidou, London Film Festival, Michener Museum of Art Omen (2001) – 10min. video Delaware Center for Contemporary Art, Wilmington Film Society of Lincoln Center, NYC The Darkening (2000) – 8min. video Delaware Art Museum, Biennial, 2000 Oberhausen and European Media Art Festivals Rotary Almanac (2000) – 4min. digital video A collage of moving landscapesThe Revolt of the Masses (1998) – 2min. video 7th International Media Art Biennale, Wroclaw, Poland Virtual Objects and Embodied Images (1997) video installations Multiple collaboration with sculptor Jeanne Jaffe Understory (1997) – 8min. video/performance/installation American Music Theatre Festival; Phila. Museum of Art Metalogue (1996) – 3min. digital video World Wide Video Festival; Oberhausen Int’l Film Festival Overture (1995) – 6min. sound/video installation Permanent sound/video installation commissioned by the City of Phila. for the Philadelphia International Airport Pavilion in the Trees (1994) – 4min. video Commissioned by the Fairmount Park Art Association, Broadcast by WHYY-TV The Gift (1993) – 6min. Audio Commissioned by New Radio and Performing Arts Sleeping Woman (1992) – 4min. video Commissioned by the Fairmount Park Art Association for public broadcast; National Video Festival 1993 Genesis (1991) – 4min. Single channel video installation Institute of Contemporary Art, Phila Ben Franklin Dreams of His Immortal Soul (1990) – 20min. video Three-channel audio/video installed at the Museum of Modern Art, NYC Siren (1990) – 14min. video installation A two-channel video work that proposes an “operatic” rendering of W.H.Hudson’s “Green Mansions,” a strange tale about journeys in the jungle, mysterious voices, and metaphysical tongues. Foit Yet Cleem Triavith (1988) – 2min. video Video installation for two channels, four monitors; installed at the Pa. Academy of Fine Art, Phila and at School 33, Baltimore Babel (1987) – 17min. audio/video/film/text New Music America Festival National Video Festival, Los Angeles Fingerspan (1987) – 8min. video Broadcast over PBS affiliate WHYY-TV A document of the fabrication, installation, and location of “Fingerspan,” a site-specific public art work by Jody Pinto that was commissioned by the Fairmount Park Art Association SpiritMatters (1984) – 6min. 16 mm, silent Baltimore, Ann Arbor, and Experimental Film Festivals Digital Speech (1984) – 13min. video, color, sound Three Rivers Arts Festival, Pittsburgh, Festival Award Athens Video Festival, Athens Award Broadcast over PBS affiliates in NYC, Boston, and L.A. The Pressures of the Text (1983) – 17min. video, color, sound Whitney Biennial, l985 American Film Festival: Video Art-Red Ribbon 1985 Secondary Currents (1982) – 16min. 16 mm, B&W, sound Major prizes at festivals in the U.S. and abroad “The American Century”, Whitney Museum. 2000 The man who could not see far enough (1981) – 33min. 16 mm film, color, sound Major prizes at festivals throughout the United States Analogies: studies in the movement of time (1977) – 14min. 16 mm film, color, sound American Film Festival “Film as Art” l980 Amos Vogel: “sensuous.., sumptious…, concentrated power” Incantation (1970) – 13min. 16 mm film, color, sound Roger Greenspun, NY Times: “massive and lovely” Whitney Museum, “New American Filmmakers” l972 Study in Diachronic Motion (1970) – 3min. 16 mm, color, silent Collected works: Museum of Art, Carnegie Institute |